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J.S. Bach

J.S. Bach - St Matthew Passion Part II No. 39: Aria "Erbarme dich, mein Gott"

Roland Bouman

5:52	Est. Play Time
47	Measures
	1,796Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	28	0	10	8	100%
Violoncello	25	0	8	3	100%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	28	10	8	100%
Violoncello	25	8	3	100%
Violas	22	8	4	98%
Violins 1	19	6	7	98%
Violins 2	22	9	4	98%
Alto	17	6	7	77%

J.S. Bach: Matthäus-Passion, BWV 244: VII. Aria: Blute nur, du liebes Herz!

Samuel Ricke

3:26	Est. Play Time
46	Measures
	1,134Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flauto traverso I.	22	0	8	8	100%
Organo.	22	50	8	5	87%
View all 11 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Flauto traverso I.	22	0	8	8	100%
Organo.	22	50	8	5	87%
	28	0	10	3	87%
Fagotto.	28	0	10	3	87%
Organo e Continuo.	28	0	10	3	87%
Violone.	28	0	10	3	87%
Viola.	17	0	6	4	76%
Violino I.	21	0	6	3	76%
Violino II.	21	0	6	3	76%
Flauto traverso II.	18	0	5	2	70%
Soprano.	16	0	6	7	61%

J.S. Bach: Mass in B Minor, BWV 232: III. Agnus Dei

Samuel Ricke

6:26	Est. Play Time
49	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	22	88	10	6	100%
	22	0	9	3	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	22	88	10	6	100%
	22	0	9	3	100%
Continuo.	22	0	9	3	100%
Violino I.II.	27	0	9	4	100%
Violone.	22	0	9	3	100%
Alto.	18	0	6	6	69%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus II.

Samuel Ricke

3:32	Est. Play Time
53	Measures
	1,124Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	23	24	6	9	98%
	28	0	9	4	100%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	23	24	6	9	98%
	28	0	9	4	100%
Violoncello.	28	0	9	3	100%
Violone.	28	0	9	3	100%
Cornetto.	13	0	4	8	89%
Soprano.	13	0	4	6	89%
Alto.	14	0	5	7	83%
Trombone I.	14	0	5	6	83%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: IV. Menuet - Trio - Polonaise

Samuel Ricke

10:40	Est. Play Time
125	Measures
	1,414Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	19	18	5	6	80%
	19	0	3	5	49%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo.	19	18	5	6	80%
	19	0	3	5	49%
Oboe I.	19	0	4	9	72%
Viola.	18	0	4	7	49%
Violino I.	21	0	3	9	49%
Violino II.	19	0	4	8	49%
Violoncello.	19	0	3	5	49%
Violone.	19	0	3	5	49%
Corno I.	10	0	1	8	48%
Corno II.	8	0	0	8	46%
Fagotto.	21	0	5	5	45%
Oboe II.	12	0	2	7	45%
Oboe III.	9	0	1	7	21%
Violino piccolo.	13	0	2	9	21%

J.S. Bach: Brandenburg Concerto No. 1, BWV 1046: II. Adagio

Samuel Ricke

5:27	Est. Play Time
39	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	24	34	8	6	100%
	22	2	10	6	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	24	34	8	6	100%
	22	2	10	6	100%
Fagotto.	23	0	10	6	100%
Oboe I.	18	0	7	10	100%
Oboe II.	17	0	5	5	100%
Oboe III.	13	0	4	5	100%
Viola.	17	0	7	7	100%
Violino I.	19	0	5	7	100%
Violino II.	16	0	6	5	100%
Violino piccolo.	23	0	9	9	100%
Violoncello.	22	0	10	6	100%
Violone.	22	2	10	6	100%

Air on the G String

Baconator NoVeg

4:48	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1	14	0	5	9	100%
Mellophone 2	18	0	4	6	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Mellophone 1	14	5	9	100%
Mellophone 2	18	4	6	100%
Mellophone 3	11	2	6	100%
Trombone	25	8	3	100%

J.S. Bach: Matthäus-Passion, BWV 244: IV. Recitative & Chorus: Da versammleten sich die Hohenpriester

Samuel Ricke

3:46	Est. Play Time
49	Measures
	1,650Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	14	14	2	5	20%
	21	52	9	8	96%
View all 32 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	14	14	2	5	20%
	21	52	9	8	96%
	14	0	0	3	12%
	26	0	11	7	94%
Violone.	14	0	0	3	12%
	26	0	11	7	94%
Continuo.	26	0	11	7	94%
Tenore.	19	0	7	6	71%
	10	0	1	3	12%
Viola.	20	0	6	7	63%
	7	0	0	3	12%
Violino I.	20	0	6	6	63%
	13	0	0	3	12%
Violino II.	10	0	2	3	12%
	18	0	5	6	63%
Basso.	12	0	0	3	12%
	19	0	6	5	61%
Alto.	12	0	4	4	35%
	7	0	0	3	12%
Fagotto.	14	0	0	4	12%
	24	0	8	5	35%
Oboe I.	8	0	1	3	12%
	14	0	4	5	35%
Oboe II.	16	0	4	4	35%
	12	0	2	3	12%
Soprano.	7	0	1	3	12%
	14	0	4	5	35%
Flauto traverso I.	19	0	7	4	33%
	14	0	0	3	12%
Flauto traverso II.	19	0	7	4	33%
	14	0	0	3	12%
Organo e Continuo.	14	0	0	3	12%

Passacaglia & Fugue in C Minor

Fugue Troll

7:19	Est. Play Time
293	Measures
	4,544Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trumpet	28	0	11	10	97%
	26	0	8	10	81%
View all 5 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
B Trumpet	28	11	10	97%
	26	8	10	81%
B Tuba	22	10	6	71%
Trombone	31	15	8	67%
Horn	22	10	7	48%

J.S. Bach: Matthäus-Passion, BWV 244: I. Chorus - Kommt ihr Töchter helft mir klagen

Samuel Ricke

10:51	Est. Play Time
90	Measures
	7,150Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	9	0	0	4	28%
	9	0	0	4	28%
View all 35 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo e Continuo.	9	0	0	4	28%
	9	0	0	4	28%
	20	0	6	4	82%
	25	0	9	4	100%
Fagotto.	20	0	6	4	82%
	25	0	9	4	100%
Violoncello.	20	0	6	4	82%
	25	0	9	4	100%
Violino I.	28	0	10	5	100%
	28	0	10	5	81%
Flauto traverso II.	28	0	10	7	100%
	26	0	10	6	80%
Oboe II.	24	0	9	6	100%
	23	0	8	6	80%
Viola.	21	0	5	6	80%
	23	0	7	5	100%
Violino II.	27	0	9	6	100%
	25	0	8	6	80%
Organo	23	67	8	5	100%
Violone.	25	0	9	4	100%
Oboe I.	22	0	8	5	99%
	23	0	9	6	81%
Flauto traverso I.	24	0	9	7	99%
	22	0	9	6	79%
Organo.	23	63	8	5	82%
Violone	20	0	6	4	82%
Alto.	15	0	6	5	43%
	18	0	6	6	69%
Tenore.	19	0	6	6	69%
	16	0	4	4	43%
Soprano.	16	0	5	6	68%
	15	0	4	5	46%
Basso.	23	0	8	6	66%
	16	0	4	5	43%
Soprano ripieno.	9	0	0	5	28%

Mache dich, mein Herze, rein. BWV 244, no. 65. Matthäus-Passion, St. Matthew passion. Bass aria. J.S. Bach.

SDG

6:30	Est. Play Time
81	Measures
	4,759Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo (Cello, Contrabass)	21	0	6	3	100%
Contrabass	21	0	6	3	100%
View all 9 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo (Cello, Contrabass)	21	6	3	100%
Contrabass	21	6	3	100%
Oboe	22	7	6	98%
	17	4	6	95%
Strings I	22	7	6	98%
Violin I, Oboe I	22	7	6	98%
Viola	20	6	4	95%
Violin II, Oboe II	17	4	6	95%
Bass	17	5	9	68%

Ruht wohl ruht wohl ihr heiligen Gebeine, St. John Passion, BWV 245-39.

SDG

6:35	Est. Play Time
129	Measures
	3,658Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	21	0	7	5	96%
Organo e Continuo	0	0	0	0	0%
View all 13 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass	21	7	5	96%
Organo e Continuo	0	0	0	0%
	21	7	5	96%
Violoncello	21	7	5	96%
Viola	23	8	5	89%
Violino II	23	8	5	89%
Violino I	26	10	6	88%
Alto	17	7	6	77%
Soprano	20	8	6	77%
Tenore	18	6	6	77%
Flauto traverso I,II	23	8	6	73%
Basso	18	7	5	67%
Oboe I/II	23	8	6	60%

J.S. Bach: Matthäus-Passion, BWV 244: V. Recitativo: Du lieber Heiland du - Aria: Buß und Reu

Samuel Ricke

9:32	Est. Play Time
116	Measures
	1,385Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	72	13	6	100%
	22	0	6	5	91%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organ	22	72	13	6	100%
	22	0	6	5	91%
Bassoon	22	0	9	5	100%
Organo e Continuo.	22	0	9	5	100%
Violone	22	0	9	5	100%
Flauto traverso I.	21	0	12	5	86%
Flauto traverso II.	22	0	11	5	86%
Alto.	19	0	11	7	67%

J.S. Bach: Mass in B Minor, BWV 232: V. Crucifixus

Samuel Ricke

4:08	Est. Play Time
53	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	1	7	4	100%
	22	0	7	5	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	20	1	7	4	100%
	22	0	7	5	100%
Continuo.	10	0	2	2	100%
Violone.	10	0	2	2	100%
Flauto traverso I.	20	0	7	1	92%
Flauto traverso II.	20	0	7	1	92%
Viola.	19	0	7	2	92%
Violino I.	20	0	7	2	92%
Violino II.	16	0	5	2	92%
Soprano II.	17	0	6	5	81%
Alto.	18	0	6	6	77%
Basso.	15	0	4	4	70%
Tenore.	14	0	5	5	68%

Jauchzet, frohlocket, auf, preiset die Tage! (MuseScore version). Bach, Weihnachts Oratorium, opening choir, BWV 248

SDG

13:19	Est. Play Time
203	Measures
	4,967Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	0	8	5	93%
Contrabass	24	0	8	5	93%
View all 20 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello, Fagotto e Continuo	24	8	5	93%
Contrabass	24	8	5	93%
Fagotto	24	8	5	93%
Viola.	23	8	8	93%
Violino II.	24	8	8	93%
Violino I.	28	9	8	91%
Oboe II.	19	6	8	79%
Flauto traverso II.	22	7	8	79%
Flauto traverso I.	23	7	8	78%
Oboe I.	21	7	8	78%
Tenore.	18	6	7	71%
Alto.	17	6	7	70%
Basso.	18	6	7	70%
Soprano	19	6	8	67%
	19	6	8	67%
Soprano.	19	6	8	67%
Tromba I.	12	1	8	34%
Tromba II.	11	1	5	29%
Tromba III.	7	0	5	28%
Timpani.	2	0	5	27%

J.S. Bach: Mass in B Minor, BWV 232: IV. Dona Nobis Pacem

Samuel Ricke

5:55	Est. Play Time
46	Measures
	1,513Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	1	4	5	97%
	25	0	7	5	100%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	17	1	4	5	97%
	25	0	7	5	100%
Continuo.	24	1	7	5	100%
Fagotti.	24	1	7	5	100%
Tenore.	15	0	3	5	100%
Viola.	15	0	3	5	100%
Alto.	12	0	2	4	98%
Flauto traverso II. Oboe II.	11	0	2	5	98%
Oboe II.	11	0	2	5	98%
Violino II.	12	0	2	5	98%
Flauto traverso I. Oboe I.	14	0	3	4	93%
Oboe I.	14	0	3	4	93%
Soprano.	14	0	3	4	93%
Violino I.	14	0	3	4	93%
Violone.	22	0	7	5	93%
Basso.	19	0	6	4	91%
Tromba I.	9	0	1	5	43%
Tromba II.	9	0	1	5	30%
Timpani.	2	0	0	5	22%
Tromba III.	11	0	1	6	22%

J.S. Bach: Christ lag in Todesbanden, BWV 4 - Versus I.

Samuel Ricke

4:20	Est. Play Time
94	Measures
	3,374Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	26	58	10	8	96%
	29	0	10	6	100%
View all 16 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	26	58	10	8	96%
	29	0	10	6	100%
Continuo.	29	0	10	6	100%
Viola I.	18	0	7	7	98%
Viola II.	17	0	6	7	98%
Violino I.	23	0	9	6	98%
Violino II.	20	0	6	7	98%
Violone.	28	0	9	6	97%
Alto.	18	0	7	7	96%
Trombone I.	18	0	7	7	96%
Tenore.	17	0	6	7	95%
Trombone II.	17	0	6	7	95%
Basso.	23	0	9	6	90%
Trombone III.	23	0	9	6	89%
Cornetto.	16	0	6	6	65%
Soprano.	16	0	6	5	65%

J.S. Bach, cantata opening chorus: "Wo soll ich fliehen hin?" (BWV 5, #1) Auf meinen lieben Gott..

SDG

3:53	Est. Play Time
78	Measures
	3,570Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
View all 23 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpischord. Thanks to Michel Rondeau! He made the realization and put it on IMSLP under Creative Common license.	22	25	7	6	99%
	25	0	9	3	100%
Continuo	25	0	9	3	100%
Contrabass	25	0	9	3	100%
Contrabassoon	25	0	9	3	100%
Oboe I.	24	0	8	5	100%
Oboe II.	22	0	8	4	100%
Violino I	25	0	8	5	100%
Violino II.	21	0	7	5	100%
Viola	18	0	5	4	97%
Alto	13	0	4	6	42%
	13	0	4	6	42%
	13	0	4	6	42%
Tenor	13	0	4	5	40%
	13	0	4	5	40%
Tenore	13	0	4	5	40%
Soprano	6	0	0	2	37%
	6	0	0	2	37%
	6	0	0	2	37%
Bass	20	0	6	4	37%
	20	0	6	4	37%
Basso	20	0	6	4	37%
Tromba da tirarsi col soprano	6	0	0	2	37%

Lobet Gott in seinen Reichen, BWV 11, No. 1, opening chorus Himmelfahrts-Oratorium, J.S. Bach

SDG

10:17	Est. Play Time
217	Measures
	4,955Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	0	9	5	100%
Continuo II	26	0	9	5	100%
View all 23 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Continuo	26	9	5	100%
Continuo II	26	9	5	100%
Double Bass	32	9	5	100%
Violino I	27	9	7	97%
Viola	24	8	5	95%
Violino II	22	8	5	95%
Flauto traverso I	23	8	6	92%
Flauto traverso II	23	8	6	92%
Oboe I	22	7	7	90%
Oboe II	21	8	5	88%
Soprano	18	6	7	53%
	18	6	7	53%
	18	6	7	53%
Alto	16	5	7	52%
	16	5	7	52%
	16	5	7	52%
Tenore	19	6	5	51%
Bass	20	6	5	50%
Basso	20	6	5	50%
Tromba I	11	1	7	48%
Tromba II	12	1	5	39%
Tromba III	7	0	4	29%
Timpani	2	0	4	26%

J.S. Bach: Mass in B Minor, BWV 232: I. Osanna in excelsis

Samuel Ricke

7:36	Est. Play Time
149	Measures
	3,883Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	21	0	7	5	98%
	34	0	12	5	99%
View all 24 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo.	21	7	5	98%
	34	12	5	99%
Continuo.	27	10	5	97%
Fagotti.	27	10	5	97%
Violone.	27	10	5	97%
Flauto traverso I.	22	7	5	93%
Flauto traverso II.	22	6	5	93%
Violino I.	21	3	6	87%
Oboe I.	19	4	6	86%
Oboe II.	18	5	6	86%
Violino II.	20	5	6	86%
Viola.	16	3	5	85%
Soprano I.	15	3	4	65%
Alto I.	15	4	4	65%
Soprano II.	18	5	4	63%
Alto II.	15	3	4	63%
Tenore I.	14	2	5	63%
Tenore II.	13	2	4	63%
Basso I.	19	6	4	62%
Basso II.	20	7	4	58%
Tromba I.	11	0	4	50%
Tromba II.	10	0	4	48%
Timpani.	2	0	4	38%
Tromba III.	7	0	5	38%